Eve-Maud Hubeaux

Worldwide representation (*in cooperation with ARIËN, ARTS & MUSIC MGT. B.V for the Benelux countries
(Belgium, the Netherlands, and Luxembourg))

The mezzo-soprano Eve-Maud Hubeaux has been considered one of the leading role representatives of her field at least since her Amneris in the Aida production of the Salzburg Festival 2022. With her successful performances at houses such as the Vienna State Opera (Don Carlos / Eboli), the Opéra de Paris (Hamlet / Gertrud), the Liceu Barcelona (La Favorite / Léonor de Guzman), the Deutsche Oper Berlin (Carmen) and La Monnaie Bruxelles (Tristan und Isolde / Brangäne), Eve-Maud Hubeaux has established herself internationally.

The 2023/24 season begins for the artist with Eboli in the French version of Don Carlos at the Grand Theatre de Geneve and the Hamburg State Opera. She will be back at the Vienna State Opera as Carmen. At the Salzburg Easter Festival she will make her debut as Laura (La Gioconda) alongside Netrebko and Kaufmann under Antonio Pappano. With Laura she will also give her house debut at the Teatro San Carlo in Naples. The State Operas in Berlin and Munich invited her as Amneris. At the Opéra de Paris, she will interpret the High Priestess in the new production La Vestale (Lydia Steier / Bertrand de Billy). She will make a guest appearance in Malmö with Mahler's Lied von der Erde.

Important engagements of the past seasons include Mère Marie in a new production of Les dialogues des carmelites at the Vienna State Opera, Eboli at the Berlin State Opera, Amneris at the Savonlinna Festival, Carmen at La Monnaie Bruxelles, Judith in Bluebeard's Castle as well as Brangäne in Tristan und Isolde at the Opéra de Lyon, the female main part of Dona Prouhèze in the world premiere Le soulier de satin by Marc-André Dalbavie at the Opéra de Paris, Baba the Turk in the new production of Stravinsky's Rake's Progress staged by Lydia Steier at Theater Basel, Scozzone in Saint-Saens's rarely performed opera Ascanio in concert at the Geneva Opera, the Handel roles of Nerone (Agrippina) and Cornelia (Giulio Cesare) as well as the title role in Lully's Isis, both conducted by Christophe Rousset, and Isolier in Rossini's Comte Ory at the Toulon Opera.

Her concert repertoire includes Bach's St. Matthew Passion under Leo Hussain (Brussels), Rossini's Messa di Gloria (Paris), Berlioz' Les Nuits d'été under Marko Letonja (Strasbourg), Wagner's Wesendonck Lieder (Orchestre National d' Ile de France), Verdi's Messa da Requiem under Teodor Currentzis (Lucerne, Milan), Mahler's Symphony No. 2 (Las Palmas).

Recordings available so far include: Lully's Isis (Aparte), Mahler's Lied von der Erde (Klarte), Franck's Rédemption (Musique en Wallonie Editions) and Saint-Saens' Ascanio (B Record).

Eve-Maud Hubeaux was born in Geneva and first studied piano at the Lausanne Conservatory before beginning her vocal studies there. From the opera studio of the Opéra National du Rhin Strasbourg, she developed her international career. She is a laureate of numerous competitions, including the Belvedere International Competition (2013) and the 5th Renata Tebaldi International Competition. In 2024 Eve-Maud Hubeaux received the Karajan Award.

2023/24

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