Katerina Tretyakova

Katerina Tretyakova (c) Kartal Karagedik

Russian soprano Katerina Tretyakova caused a sensation with her debut at the Gran Teatre del Liceu in Barcelona as Juliette in Gounod’s Roméo et Juliette. Before that she appeared as Oscar in Un ballo in maschera at the same house. She could repeat her success as Juliette in Valladolid. The Staatsoper Hamburg presented the singer as Musetta and Woglinde and she was guest at the Aalto Theatre in Marschner’s Hans Heiling. She sang Regina in Mathis der Maler at the Enescu Festival in Bucharest. Upcoming engagements include Juliette and her role debut as Donna Anna in Mozart’s Don Giovanni.

In the 2016/17 season she made her role debut as Juliette in Gounod’s Roméo et Juliette at the Oper Graz. At the Hamburg State Opera she appeared again as Lucia in Lucia di Lammermoor. The Vilnius opera invited the soprano for Violetta in Verdi’s Traviata and for a recital. In 2015 she made her US debut as Gilda at the Bogota Opera House. She appeared in concerts in Spain, Italy, Germany and Panama before returning to the Theater an der Wien in the main role in Marschner’s Hans Heiling. In October 2014 Katerina Tretyakova made her outstandingly successful debut as Violetta Valery in Verdi’s La traviata and appeared as a soloist at the opening of the philharmonic season at the Meistersingerhalle in Nürnberg.

From 2010/11 to 2015/16 Katerina Tretyakova has been a member of the ensemble of the Staatsoper Hamburg. Here, she has thrilled audiences in numerous major roles of the repertoire, such as Lucia (Lucia di Lammermoor), Gilda (Rigoletto), Adina (L’ Elisir d’ Amore), Adele (Die Fledermaus), Susanna (Le nozze di Figaro), Pamina (Die Zauberflöte), Musetta (La Bohème), Nannetta (Falstaff), Gretel (Hänsel und Gretel), and others.

She has received considerable acclaim for her interpretations of roles in seldom-performed works such as the opera Bliss by Australian composer Brett Dean, world-premiered in 2010; Cunibert in Georg Philipp Telemann’s baroque “Gänsemarkt opera” Flavius Bertaridus, King of the Langobards and Ighino in Hans Pfitzner’s Palestrina.

In addition to her performances at the Staatsoper Hamburg, Katerina Tretyakova frequently performs in Austria, working hand-in-hand with various renowned orchestras. Among other things, she made her debut at the Theater an der Wien as Regina in Paul Hindemith’s artist drama Mathis der Maler. As a soloist, she has sung with the Royal Concertgebouw Orchestra in Amsterdam, the Montpellier Radio Orchestra, the Dresden Philharmoniker and the Hamburger Philharmoniker among others. In April 2009 the soprano made her debut at the Konzerthaus in Wien under the baton of Bertrand de Billy; in 2011 she returned there for a solo concert with Russian songs.

The soprano, originally from Murmansk in Russia, knew early that she wanted to be a singer. Growing up in Lithuania, at the age of 15 she began studying the art of conducting at the Conservatory in Vilnius, which she completed with honours in 2000. In the same year she continued her training at the Lithuanian Academy of Music and Theatre, studying voice with Professor Giedre Kaukaite and graduating with a bachelor’s degree in 2005. As part of the Erasmus exchange programme, the young singer went to Salzburg in 2006. She continued her studies at the Mozarteum and in the same year made her debut at the Salzburg Festival as Hyacinthus in Mozart’s opera Apollo and Hyacinthus. In 2007 she completed her master’s degree studies with Josef Wallnig and KS Elisabeth Wilke, being awarded the highest distinction, and began song repertoire studies with Breda Zakonik.

In 2008, along with ten other young singers, Katerina Tretyakova was accepted onto the Young Singers Project of the Festspiele Salzburg, which was under the artistic direction of Barbara Bonney and Michael Schade and came to a glorious end with a gala concert in the Mozarteum’s Großer Saal under the conducting of Ivor Bolton.

From Salzburg, the soprano then moved to the Elbe: she decided to spend two years at the International Opera Studio of the Staatsoper Hamburg, where she quickly sang important roles such as Musetta (La Bohème), Valencienne (Die lustige Witwe), Oscar (Un Ballo in Maschera) and Frasquita (Carmen). Immediately after the completion of this training Simone Young, the Intendant and general music director of the Staatsoper Hamburg engaged the singer as a member of the ensemble.

Katerina Tretyakova has received numerous awards and distinctions. She won numerous singing competitions in Lithuania, Latvia, Belarus, the Czech Republic and Romania. In 2012 the Foundation for the Promotion of the Staatsoper Hamburg awarded her the “Dr. Wilhelm Oberdörffer” Prize for her outstanding artistic development. In January 2013 she won the prestigious Francisco Vinas Competition in Barcelona, one of the most important in the world. In summer of 2013 she was further awarded first prize at the international competition Grand Prix de l’Opera in Bucharest, second prize at the Montserrat Caballé International Singing Competition in Zaragoza and first prize at the Marcello Giordani International Vocal Competition in Catania.


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