As a member of the Staatstheater Karlsruhe in 2017/18, his roles included Nemorino in Donizetti’s Elisir d’amore, Tamino in Mozart’s Die Zauberflöte, Riccardo Percy in Donizetti’s Anna Bolena, and Oronte in Händel’s Alcina. With the State Chamber Orchestra of Russia he made his role debut as Don Ottavio in a concert performance of Don Giovanni in 2018.
Upcoming plans include debuts at the Komische Oper Berlin, the Deutsche Oper am Rhein Düsseldorf, Bregenzer Festspiele, at Theater St. Gallen and also at the Oper Zurich in roles like Alfredo (La Traviata), Nemorino (Elisir d’amore), Lenski (Eugen Onegin) and Ferrando (Così fan tutte). At the Bolshoi Moscow he will perform in new productions of Viaggio a Reims and Eugen Onegin.
In 2015 Alexey Neklyudov performed the role of Likov in Rimsky-Korsakov’s The Tsar’s Bride in Tel Aviv. In 2014 he celebrated his debut at Moscow’s Bolshoi Theater under the baton of Stefano Montanari as Ferrando in a new staging by Floris Visser of Mozart’s Così fan tutte. Before that in 2013 he became a member of the ensemble at the Novaya Opera Moscow, where he performed such roles as Lensky in Tchaikovsky’s Eugen Onegin, Tebaldo in Bellinis I Capuleti e I Montecchi, Zar Berendey in Rimsky-Korsakov’s The Snow Maiden, Alfredo Germnot in Verdi’s La traviata and Narraboth in Strauss’ Salome.
In 2010 Alexey Neklyudov made his debut with Russian National Philharmonic under the director of Vladimir Spivakov, who subsequently invited him to the Colmar International Festival in 2013 and 2014. The tenor has worked with numerous other conductors such as Vladimir Jurowskiw, Vladimir Fedoseyev, Peter Neumann, Federico Maria Sardelli, Frieder Bernius, Benjamin Pionnier, Fabio Mastrangelo, Dimitri Jurowski and Ken-David Masur.
Alexey Neklyudov began his musical career in Reutov near his hometown of Moscow. His further studies took him to the Glaina Vishnevskaya Opera Center and the Gnessin-Institute in Moscow, where he studied with Svetlana Nesterenko. While a student, he won several vocal competitions. In 2012 and 2013 he was awarded stipends form the Russian National Philharmonic and the Müslüm Magomayev Foundation, respectively, after which he participated in the academy of the Aix-en-Provence Festival in 2015.
(Please discard any previously dated material. The text may not be abridged or altered without the prior consent of ARSIS Artist Management.)